| he Williamsburg Bridge - 1903
Because so many of the great technological leaps were accomplished in
the design and construction of the Brooklyn Bridge, examination of the
other East River bridges can be - and probably will have to be - shorter.
Thus consideration of the Williamsburg Bridge can be limited to two basic
themes: the questions of aesthetics which arose as a result of the design
of the bridge and the continuing changes brought on by immigration and
urban growth. The impact of new technology is significant primarily in the
use of the bridge as a link in the newly electrified mass transit system
rather than in its construction.
Even before the opening of the Brooklyn Bridge leading citizens of the
Williamsburg section of Brooklyn began to push for a bridge that would
connect their community to Manhattan. 19th Century maps of New York show
clearly how growth in Williamsburg was separate from the early center of
Brooklyn due to Wallabout Bay and its surrounding marshland which lie
between them. By the late 19th Century the community was made up mostly of
upwardly mobile German and Irish immigrants and first generation native
born who had been able to escape the tenement slums of Manhattan. Despite
being annexed by Brooklyn in 1855, Williamsburg continued to see itself as
a separate community with interests more allied to New York. Because of
geography, the citizens of Williamsburg realized that the benefits of the
Brooklyn Bridge would not easily flow to their community.
In 1897, after more than a decade of delays caused by political and
financial problems, a design for a suspension bridge was completed by
Leffert L. Buck and construction began. By that time traffic on the
Brooklyn Bridge had exceeded all expectations and ferry traffic hadn't
diminished at all. To handle this burgeoning growth, the design
specifications called for a bridge built with two levels to handle six
lanes for trolleys, two lanes for carriages and a pedestrian walkway all
of which would require a deck half again as wide as the Brooklyn Bridge.
The needs of a growing city and developments in transportation technology
were placing greater demands on bridges in New York.
Buck's design was one in which the design specifications were well met,
but aesthetic considerations seem to be secondary. For the first time in a
bridge of this size steel would be used for the entire bridge, including
the towers which would rise 350 feet - 80 feet taller than the towers on
the Brooklyn Bridge. As this was one of the first times steel was used in
this way, the design of the towers is conservative, relating more to
earlier designs such as the Eiffel Tower which was built of wrought iron.
The result is a vertical truss with an ungainly profile which compares
unfavorably to the monumental gothic towers of the Brooklyn Bridge or the
elegant steel frames used in later bridges. Adding to the bridge's
aesthetic shortcomings, Buck felt the increased load specifications
required a massive stiffening truss which runs 40 feet high the length of
the bridge. Finally, the side spans of the bridge is supported in a
straight line by steel viaducts rather than suspended from the cables. The
result is a span which does not have the continuous graceful curve that is
usually associated with suspension bridges. The design for the
Williamsburg bridge therefore can be seen as one in which the use of
material in a new way and the tremendous load requirements of a growing
city led to a bridge which is simply functional - nothing more. Writing in
Scientific American shortly before the completion of the bridge,
one critic stated that one can look over the entire bridge "without
finding a single detail which suggests a controlling motive, either in its
design or fashioning other than bald utility."
Student work on the Williamsburg bridge should focus in part on this
conflict between aesthetics and "bald utility." Photographs of
all the East River bridges appear in Sharon Reier's excellent The
Bridges of New York, but students can probably best judge the
comparative beauty of the various bridges when they go to see them. One of
the assignments due after the trip should be for students to choose which
bridge they think is the most beautiful and which they think is the most
ugly and explain why. Discussions prior to the trip as to what factors add
to or detract from the beauty of a bridge will serve to provide students
with a vocabulary to explain their position. Students should be consider
the influence new and relatively untried materials can have on a
designer's confidence in his ability to create forms that are graceful as
well as functional.
One unquestionably positive effect of technological advances on the
construction of the Williamsburg Bridge was the decreased time of
construction: only seven years - less than half the time required for the
Brooklyn Bridge. Upon completion it played a significant role in the
evolution of the immigrant communities in New York. Viewed initially by
the German and Irish residents of Williamsburg as bringing the economic
benefits of easy access to Manhattan, the bridge was ultimately more
important as an outlet for the Eastern European Jewish immigrant community
in the overcrowded slums of the Lower East Side. Within the next few
decades Williamsburg and adjacent Brownsville became thriving Jewish
enclaves while the Germans moved on to Richmond Hill and Jamaica, Queens.
Thus, a bridge built in response to urban growth ended up influencing the
social and ethnic patterns of that growth.
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